Sandra McGregor, like many people passionate about Cape Town, was not born in the city.  Her extraordinary sensitivity is the subject of this book and Dolores Fleischer, whose friendship has stimulated this record of Sandra's life, shares this passion.

Sandra has experienced an intense love affair with the mother city. Her most meaningful paintings are those she did in District Six, an inner part of Cape Town targeted in 1966 for forced removals and demolition by the apartheid government..

 An artist in search of place and meaning, she experimented with different styles of painting, but it was here, motivated by her deep love for her friends in the District, that she felt fully human.  She did her paintings not to make a political point, she sought no fame, power or notoriety, there was no commercial motive or cleverness in her actions.  The reason for painting was simply her feeling of complete "oneness" with the place and her acceptance by the people.  She captured for us what it was like to be a Capetonian in the days before the removals.  The part of Cape Town she painted no longer exists, except perhaps in the Distric Six Museum and St George's Cathedral, her new home.

Dolores Fleischer has worked with Sandra to complete a circle of friendship of over seventy years.  She has given us an unusual insight into the personal struggles of a woman born into privilege and contending with love and loss.  Hidden from view is Dolores' own testimony of selflessness, kindness and love, those things that are about making us fully human

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